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The Child Thief: A Novel, by Brom
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The acclaimed artist Brom brilliantly displays his multiple extraordinary talents in The Child Thief—a spellbinding re-imagining of the beloved Peter Pan story that carries readers through the perilous mist separating our world from the realm of Faerie. As Gregory Maguire did with his New York Times bestselling Wicked novels, Brom takes a classic children’s tale and turns it inside-out, painting a Neverland that, like Maguire’s Oz, is darker, richer, more complex than innocent world J.M. Barrie originally conceived. An ingeniously executed literary feat, illustrated with Brom’s sumptuous artwork, The Child Thief is contemporary fantasy at its finest—casting Peter Pan, the Lost Boys, even Captain Hook and his crew in a breathtaking new light.
- Sales Rank: #164813 in eBooks
- Published on: 2009-08-18
- Released on: 2009-08-25
- Format: Kindle eBook
From Publishers Weekly
Chesley-winning illustrator Brom (The Plucker) weaves together gloomy prose and horrifying adventures in this macabre fairy tale inspired by J.M. Barrie's Peter Pan. Born of faerie blood, Peter hunts abandoned children, runaways and the hopeless, recruiting for his Devils in Avalon and promising them a place where you never have to grow up. He conveniently fails to mention that Avalon's monsters are very real, and the Devils must practice their war games or risk being tortured to death, eaten or worse. While early chapters are promising, this gothic fantasy stumbles on its own darkness. The devilishly amusing flashbacks to Peter's origins don't make up for the heavy-handed bloodshed, rampant violence and two-dimensional characters. It's all fiendish monsters and desperate battles in this twisted, dark Neverland; the Disney Peter's mirth and good humor are nowhere to be found. (Sept.)
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Review
” [A] fascinating work of dark epic fantasy that blends elements of the Peter Pan story with characters from Celtic and Norse mythologies.”
Review
" [A] fascinating work of dark epic fantasy that blends elements of the Peter Pan story with characters from Celtic and Norse mythologies."--Tulsa World
Most helpful customer reviews
3 of 3 people found the following review helpful.
Brom's Peter Pan: A childhood friend seen through adult eyes.
By Thor's Hammer
BROM, The Child Thief:
This was hard for me to get into as I am not inclined to read non-fiction for hours. I read a lot but don’t enjoy Young Adult titles. In the beginning, that was my impression of this. I saw that it had some adult themes and rough language but not enough to change my perceptions. (I had recently watched the movie Pan and was very sad.) However the last forty percent of the Child Thief finally delivered.
More insight was the Author’s Note in the back from Brom himself. In Barrie’s version Peter’s god complex revolved around having child-like adventures and convincing other children to be part of this. Peter is a charismatic sociopath who is teaching stolen children to become blood thirsty killers, denying the moral rules of society. Peter seduces with offers that these children that they will never grow up- but not eternal life. Brom’s explanation of what happens when these children do grow-up is appalling and so obvious we slap our forehead that we could have missed it.
Like our modern literary sociopath Hannibal Lechter, he does terrible things but can seduce others of his twisted worldview even to the point of convincing them to take part. For our Hannibal, killing isn’t really the point-he couldn’t care either way and doesn’t get a rush as he does it. Peter needs to always be in a new adventure but has no real long-term memory- he’s in it for the momentary thrill. His thrill seeking leaves a lot of hats on the ground.
Using Nick the main character’s voice, Brom invites us to wear our big-boy pants, wiping the fairy dust from our eyes and really look at the original Peter Pan to see Peter for who he is; Not as a child-like friend we all know and love. He is a seducer of children, a manipulator and blood thirsty murderer.
1 of 1 people found the following review helpful.
Dark and magical
By JWood
I enjoy dark retellings of popularised sanguine Disney characters. These “dark fairy tales” seem to rekindle the spirit of the original fables, lore, and tales shared for generations before Disney’s adaptations. For these reasons, I picked up Brom’s story.
I received a suitably grim novel for those sharing my slightly twisted streak, Brom retells Peter Pan for the modern listener filled with wondrous depictions and incredible world building.
The three-dimensional characters are some of the most astounding characters written in fantasy today (rivalling Abercrombie and Martin). The depth of the characters ensures there are no good and no bad roles. No black and white. Merely people.
Once I finished the novel, I was delighted by the tale. I read it late into the night and dreamt of Avalon and Peter until society sucked me back into its tight grasp. When work threatened to overwhelm, the actual meaning of this story surfaced.
I stood up, walked out of the office, and went for a walk in the beautiful park downtown that I often comment on but rarely enjoy. I watched children play in the river next to the sign stating the rocks and water is NOT for swimming, I saw a dog running with an adolescent near a sign mounted demanding the reader to stay off the grass, and I felt the sun kiss my skin and release the need to play. The magical innocence of childhood rekindled, I returned to work, finished my working day, went home and romped with the two puppies waiting impatiently on my return. The world is filled with rules which take from the magic; we should fight to keep the magic alive.
4 of 4 people found the following review helpful.
Must Read But Not For The Faint Of Heart
By Amazon Customer
Not all fairy tales have a happy ending, or a happy beginning or middle either. Brom’s highly-imaginative yet brutal version of Peter Pan, The Child Thief, is one of those fairy tales. This is not a story for children or for those adults that prefer to live with a Disney-like innocence. This story is as harsh and ugly as the Disney version was sweet, and it is brilliant. It is written from the hands of an illustrator, and the words and style are distinctly visual.
Peter Pan is not a nice guy, but he is not a bad guy. He is young. He is charming. “Peter’s smile is a most contagious thing.” He is also manipulative and cruel. He preys on those children who had lost their hope, who have been abused, raped or cruelly-beaten. The story begins with Peter saving a young girl from getting raped. He gives these children dreams and takes them to a place of nightmares. That place is not Neverland. It is called Avalon in Brom’s version, and though it was once a lush paradise, it has been poisoned and is dying. Adults had come to the once-fantastic island and spoiled it. Captain Hook, the “Captain,” is among those adults. As a result, Peter has waged war against them and is fighting for the survival of his home. Peter needs an army though and that army is comprised of scared children trapped and forced to make the best of the strange ugly place. Things are not quite that simple, of course, and as the story moves along, we find out the depth of the characters and their motivations.
I’m going to avoid getting into too much of a spoiler territory here, but I truly enjoyed this book. In some ways, I found it an exploration of dogmatism. Both Peter and the Captain are dogmatic about their views. They are both so focused on what they think and what they want to accomplish, that they lose sight of what they are actually doing and how cruel it is. How much more cruel can someone be than killing and torturing children, or sending children to be killed and tortured? Both Peter and the Captain manipulate others with no real regard to what they are asking. They each simply need an army to help them fight their war. Interestingly, Peter manipulated from a perception of strength and the Captain manipulated from a perception of weakness. Ironically, they were both focused on something good. Unfortunately, those two good goals were in opposition to each other and since the main characters were so dogmatic about their views, they couldn’t work together so that both of them could accomplish what they wanted. The Captain himself at one point wonders, “How much blood will it take to make them stop? How many more children must die?”
That said, neither Peter nor the Captain are all bad. They both find themselves at points where they seem to start to understand that things are going too far. That understanding however is not enough though to get them to work together.
David J. Rollins
Author of [...]
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