Sabtu, 28 Desember 2013

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This wide-ranging survey of experimental methods in phonetics and phonology shows the insights and results provided by different methods of investigation, including laboratory-based, statistical, psycholinguistic, computational-modeling, corpus, and field techniques. The five chapters in the first part of the book examine the recent history and interrelations of theory and method. The remaining 18 chapters are organized into parts devoted to four key current areas of research: phonological universals; phonetic variation and phonological change; maintaining, enhancing, and modeling phonological contrasts; and phonological knowledge. The book provides fresh insights into the findings and theoretical advances that emerge from experimental investigation of phonological structure and phonological knowledge, as well as critical perspectives on experimental methods in the perception, production, and modeling of speech.

This book will be a valuable asset for all researchers into the sound structure of language, including scholars and advanced students of phonetics, phonology, speech science, psycholinguistics, and applied linguistics.

  • Sales Rank: #4132563 in Books
  • Brand: Brand: Oxford University Press, USA
  • Published on: 2007-09-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.70" h x .80" w x 9.40" l, 1.84 pounds
  • Binding: Paperback
  • 448 pages
Features
  • Used Book in Good Condition

Review

"This book is a satisfyingly diverse and interesting collection of papers on experimental approaches to phonology. This book will serve the needs of both students and more senior scholars with interests in many fields related to spoken language. This collection provides a number of fascinating, specific snapshots that, taken together, paint a picture of a vibrant broader research agenda." --Language


About the Author
Manjari Ohala is Professor, and currently Interim Chair of, the Departments of Linguistics and Language Development at San Jose State University. She is the author of Aspects of Hindi Phonology, co-editor of Proceedings of the XIVth International Congress of Phonetic Sciences, and has published numerous articles on the experimental phonetics/phonology of Hindi.

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Senin, 23 Desember 2013

[N155.Ebook] Free Ebook Policing Across the World: Issues for the Twenty-First Century, by R.I. Mawby

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This wide-ranging text provides an overview of policing across different societies, and considers the issues facing the US and British police in a wider international context. The book is designed as a coherent introduction to the police.

  • Sales Rank: #973603 in Books
  • Brand: Brand: Routledge
  • Published on: 1999-02-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .59" w x 6.14" l, .81 pounds
  • Binding: Paperback
  • 244 pages
Features
  • Used Book in Good Condition

Review
'The book is extremely easy to follow ... an excellent reference for those who want to understand the issues surrounding the value of comparing police forces across the world and also in understanding the way history has forged different approaches to policing across the globe.' - Journal of Investigative Psychology and Offender Profiling

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Senin, 16 Desember 2013

[H361.Ebook] Fee Download Words and Their Meaning (Learning about Language), by Howard Jackson

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In this book, the development of the English dictionary is examined, along with the kinds of dictionary available, the range of information they contain, factors affecting their usage, and public attitudes towards them. As well as an descriptive analysis of word meaning, the author considers whether a thematic, thesaurus-like presentation might be more suited than the traditional alphabetical format to the description of words and their meaning.



  • Sales Rank: #3391636 in eBooks
  • Published on: 2014-06-03
  • Released on: 2014-06-03
  • Format: Kindle eBook

Review
"...admirably clear and detailed...All in all, the book is a clear, simple introduction to a big and complex subject and should prove very useful." EFL Gazette

About the Author
Howard Jackson is Professor of English Language & Linguistics and Associate Dean of the Faculty of Law, Humanities & Social Sciences, at the University of Central England in Birmingham

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Minggu, 15 Desember 2013

[I949.Ebook] Free Ebook Core Psychiatry (MRCPsy Study Guides), by Padraig Wright

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A new edition of a highly successful,�award winning�textbook for trainee psychiatrists, covering in one volume all the subjects required for the new MRCPsych and similar exams. Written in a highly engaging manner, it will also prove invaluable to qualified psychiatrists who need to keep up-to-date with the latest developments, as well as clinical psychologists, general practitioners, psychiatric�nurses and senior medical students�

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  • Sales Rank: #2021198 in eBooks
  • Published on: 2012-01-08
  • Released on: 2012-01-08
  • Format: Kindle eBook

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Sabtu, 14 Desember 2013

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  • Published on: 2016
  • Original language: English
  • Dimensions: 41.73" h x 16.34" w x 29.92" l,
  • Binding: Hardcover
  • 450 pages

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Rijks, masters of the Golden Age: paintings from the Gallerij of Honour, by Marcel Wanders, Ken Wilkie, Edo Dijksterhuis, Gary Schwartz, M PDF
Rijks, masters of the Golden Age: paintings from the Gallerij of Honour, by Marcel Wanders, Ken Wilkie, Edo Dijksterhuis, Gary Schwartz, M PDF

Selasa, 03 Desember 2013

[L682.Ebook] Download PDF Ugliness: A Cultural History, by Gretchen E. Henderson

Download PDF Ugliness: A Cultural History, by Gretchen E. Henderson

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Ugliness: A Cultural History, by Gretchen E. Henderson

Ugliness: A Cultural History, by Gretchen E. Henderson



Ugliness: A Cultural History, by Gretchen E. Henderson

Download PDF Ugliness: A Cultural History, by Gretchen E. Henderson

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Ugliness: A Cultural History, by Gretchen E. Henderson

Ugly as sin, the ugly duckling—or maybe you fell out of the ugly tree? Let’s face it, we’ve all used the word “ugly” to describe someone we’ve seen—hopefully just in our private thoughts—but have we ever considered how slippery the term can be, indicating anything from the slightly unsightly to the downright revolting? What really lurks behind this most favored insult? In this actually beautiful book, Gretchen E. Henderson casts an unfazed gaze at ugliness, tracing its long-standing grasp on our cultural imagination and highlighting all the peculiar ways it has attracted us to its repulsion.
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Henderson explores the ways we have perceived ugliness throughout history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley’s Frankenstein to the Nazi Exhibition of Degenerate Art. Covering literature, art, music, and even the cutest possible incarnation of the term—Uglydolls—she reveals how ugliness has long posed a challenge to aesthetics and taste. She moves beyond the traditional philosophic argument that simply places ugliness in opposition to beauty in order to dismantle just what we mean when we say “ugly.” Following ugly things wherever they have trod, she traverses continents and centuries to delineate the changing map of ugliness and the profound effects it has had on the public imagination, littering her path with one fascinating tidbit after another.
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Lovingly illustrated with the foulest images from art, history, and culture, Ugliness offers an oddly refreshing perspective, going past the surface to ask what “ugly” truly is, even as its meaning continues to shift.

  • Sales Rank: #484346 in Books
  • Published on: 2015-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .90" w x 5.50" l, .0 pounds
  • Binding: Hardcover
  • 224 pages

Review
“In her wide-ranging and frequently illuminating study, Ugliness: A Cultural History, published this month, Gretchen Henderson traces the connections—some obvious, but many not at all—between aesthetic norms and cultural anxieties, from antiquity to the present day. Henderson’s totemic character is Polyphemus, the half-divine Cyclops whose appearance in Homer’s Odyssey is one of the poem’s most harrowing episodes. Set apart by his ‘non-Greek race, enormous size, congenital disorder and demigod status’ (or, to put it more broadly, by his difference, hybridity, and hypervisibility), the monster exemplifies the lasting tendency to equate appearance with less tangible values. . . . Henderson artfully links the Polyphemus myth to the ‘hierarchy of species’ found in Aristotle’s ‘Generation of Animals.’ Aristotle’s ‘downhill slope’ is topped by men, followed by women, then devolves into ‘hybrid offspring’ like satyrs and fauns. This motion, from powerful to exoticized, illustrates the trick—later employed at the height of phrenological and eugenic crazes—of forcing the worth, and, ultimately, the humanity, of certain individuals to correspond with often arbitrary aesthetic categories. . . . Beauty does more than simply seduce: it masks and perfumes, freezes moral categories in place. Ugliness—with all its seams unconcealed—is sometimes the closest thing to the truth.”
� (Vinson Cunningham New Yorker)

“A fascinating meditation on a slippery subject.”� (Guardian)

“Henderson approaches her topic through an impressive number of examples, spanning disciplines, mediums, usages, geographies, and chronologies, and including works of fine and popular art, architecture, mythology, cultural moments, historical facts, and human individuals and groups. The book offers an anecdotal survey of what people have termed ‘ugly’ in various contexts. . . . The author manages to take the discussion of ugliness into its own territory, beyond a mere opposition to beauty. This book provides an engaging and accessible cultural history that is informative and entices the reader to see things in a different perspective.” (History Today)

“Ugliness: A Cultural History is a provocative book because, while exploring our relationship to that which we brand as ugly (or beautiful), Gretchen Henderson forces us to reflect on our tastes and fears, our social conventions, and our everyday notions of justice. Such a call to attention is always very useful; in our prejudiced age it has become essential.” (Literary Review)

“Henderson’s cultural history of ugliness skates, at an entertainingly high speed, across large swathes of territory, cultural, historical, and biological, always fascinating...[T]he existence and resistance of the ugly is a reminder—urgent and intense and necessary—that the world does not exist for us alone.”
� (Times Literary Supplement)

“We tend to use the word confidently, as though ugliness has a self-evident and unchanging meaning. In fact, Henderson writes, the “shape-shifting” term has a long, strange, and “unruly history.” Breaking her lively study into sections—“ugly ones,” “ugly groups,” “ugly senses”—she touches on an impressive assortment of cultural eras in order to form a rather, well, unbecoming picture of human fears, anxieties and prejudices . . . through this well-illustrated study, she makes a terrific case for how we’ve regulated the borders of acceptability and mistreated whatever crosses the line.”
� (Maclean's)

“In this brief but expansive cultural history, Henderson removes ugliness from its binary relationship with beauty, probing how the term functions as a signifier of cultural boundaries and sites of transformation. . . .� Henderson's multidisciplinary approach to the topic makes the book a valuable resource for scholars throughout the arts and humanities. This would also be a useful text for freshman seminars because the writing style fosters discussion and critical thinking. Overall, the book is a highly recommended addition to academic and art libraries.”
� (ARLIS/NA)

“Engaging ugliness beyond the realm of art and aesthetics and into the realm of sound, sight, and embodiment,�Ugliness: A Cultural History�makes a valuable contribution to the contemporary study of ugliness and its myriad functions in Western culture. Henderson traces how ugliness moves ‘beyond “ugly” anomalous individuals and resistant ugly groups to break down borders through “ugly” senses that place all human beings into an equal camp.” . . . Henderson’s work ultimately demonstrates that ugliness is far more than an aesthetic category. Instead, ugliness operates relationally between people, things, spaces, bodies and modes of being, and that it continually negotiates different meanings and challenges its own stasis. It is ugliness, as much as beauty, that makes us human.”�
� (PopMatters)

“Full-blown examination of deformity through history—the medieval gargoyles, monsters, human-animal hybrids in so-called ‘freak shows’ and the like.”
� (Toronto Star)

“A multifarious book about ugliness, exploring the subject in its multiple forms . . . engagingly written and copiously illustrated.” (Choice)

“Ugliness is in the eye of the beholder—or is it? Henderson’s book asks this central question and answers it in an engaging and exciting way. Accessible and amusing, you need to read it to find out whether ugliness is only a cultural or a brain construct!” (Sander L. Gilman, author of Illness and Image)

About the Author
Gretchen E. Henderson is a lecturer in English at Georgetown University and affiliated scholar in art history at Kenyon College. A novelist and poet, her recent books include The House Enters the Street and Galerie de Difformit�.�

Most helpful customer reviews

0 of 1 people found the following review helpful.
An interesting aspect of disability not commonly explored.
By Kenny G
A great read. The book arrived on time in condition as described.

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